In nocturnal Naples, Tobias Zielony roamed the sparsely inhabited architecture of a housing project controlled by the Camorra, which was built between 1962 and 1975 based on designs by Francesco di Salvo. Wielding a high-resolution digital camera, his finger permanently on the shutter release, he subsequently compiled the thousands of individual pictures into the photo-animation film Le Vele di Scampia . Depending on the lighting conditions, the camera silently records more or fewer frames per second. Edited as a film, the sequence runs faster, then more slowly than real time, yielding a jumpily nervous mute portrait of the neighborhood, which became notorious after serving as the backdrop for the movie adaptation of “Gomorrah”.